The story I was reading turned out to be really bad, so I’m writing about my own experiences instead. The bad book was first in a series and had too many characters introduced in the first chapter with many of them having names that started with the same letter, so they blended into an unidentifiable mass. It also dumped a whole lot of regency rules and manners on the reader before any plot developed. I didn’t make it past a third of the story, and I rarely do that.
That brings me to my own writing, and what I’ve learned from writing a series. My first published novel was part of a six-book series. I wrote the first novel with only the other characters’ names and basic plot in mind, so it was a miracle the series fit together as well as it did. For those writing a series, at least have an outline for the other stories. That doesn’t mean you’ll follow it. My characters tend to write the story, and I’m amazed how talented they are.
Do not introduce all the characters in the series together at the beginning of a story and if you must introduce them, keep it brief. Focus on the main character for that book. In “Impending Love and War” I had Courtney Beecher staying with a widow, so she was not living with her five younger sisters. This made her the main focus and allowed the reader to get to know her apart from her family.
Try not to introduce your main characters at a ball or social event where others will have to be introduced unless you have them alone either dancing, as dinner partners, or caught in an awkward situation. Focus on the hero and heroine before introducing anyone else. The alternative is to introduce the problem and then introduce the hero.
Introduce the problem early on. In “Impending Love and Death” Jem is worried about her husband who hasn’t written after the First Battle of Bull Run. The book is about her quest to find answers to what happened to him, and she relies on the hero, Logan Pierce, to help her, although he initially refuses. Logan is visiting the small town where the Beecher sisters live, but he and Jem soon travel to Washington to uncover news about her missing husband. This allows time alone for them and their relationship to develop.
Characters from one book should appear in another but not in a bunch and only if there is a purpose to the appearance. All of the sisters make a brief appearance together in the first book when Courtney visits home and their personalities are briefly exposed. In later books, usually one or two sisters makes an appearance and plays a role in the story. Those who are reading the series, will recognize the established characters, and you can add inside jokes or comments for their benefit.
The villains in my story make appearances in nearly all of the stories and cause trouble in each of them. I enjoy writing the villain and without one, your story will lack tension and problems outside the romantic arc. And it should be something more dangerous than another man trying to steal the heroine away. Plots can be simple but add a twist or new concept to it for the reader. Avoid boring.
Focus your story on the plot and characters’ interactions. Having a character think about the past or flashbacks slows a story down. Keep necessary past information short and infrequent. This is true for historical information. I had to weigh what information about the Civil War I wanted to include. Each book in my series focused on a single battle or short period in the war. If the information doesn’t advance the story, leave it out. They can always look it up in a history book.
It’s always good to have a love triangle. In “Impending Love and Lies” Colleen Beecher is jilted early on, and Blake Ellsworth is more interested in joining the army than romancing her. And in “Impending Love and Madness” both Zach and Harry, army buddies, compete for the attention of Cassandra Beecher. Which one will she choose?
I like to have a deeper meaning in my historical stories. Anyone can read about history, but what is the impact? What have we learned? In “Impending Love and Capture” Jessica Beecher travels to Gettysburg to break off her relationship with Ed and witnesses the battle. She asks. “What is the purpose of the battle? No one will claim the land. Once the smoke is cleared, the leaders will still have to negotiate the peace.” She isn’t against war. She’s an abolitionist, but what purpose does it serve but to kill more men than the enemy. How will that free the slaves? But don’t go too deep. It’s a romance not a commentary on social reform.
The series should be tied up with the last book. “In Impending Love and Promise,” the last bad guy is dealt with and put to rest. The family is reunited, and old friends make an appearance. It should satisfy the reader who has read the previous books and make the reader who started with the last want to read the others.
More book reviews can be found at authorfreeman.wordpress.com
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